Concept

Crease pattern — where it appears

The flat drawing a folded sheet is made from: vertices, the creases between them, and the panels those creases bound. Its geometry decides everything about the mechanism, since the sector angles at a vertex are the arc lengths of the spherical linkage that vertex is, and almost every drawing folds to no angle at all.

Named by 5 essays across one field — each of them below, with the objects they name alongside it.

The mechanism, and the graph that decides how many loops it has. A lazy tong of 5 scissor units drawn over its own joint graph: a node for every body — 10 of them — and an edge for every pin, 13 of those. The number of independent loops is e − v + 1 = 13 − 10 + 1 = 4, which is how many closure equations somebody writing this mechanism out by hand would have to find and is the one quantity in the field that can be read straight off a drawing. It is also all the count knows: Grübler's 4 is 3(n − 1) − 2j and contains no geometry at all, which is why it is right here and wrong four rows further down the ledger. positioned by solving, not by drawing.

The loops are in the graph

Before a network is a mechanism it is a graph, and the one quantity that can be read straight off a drawing is how many independent loops it has: edges less nodes plus one. Grübler's count is that arithmetic and nothing else — which is why it is right about a tong at every size and says a deployable ring cannot open.

networks · Network
What a pattern that cannot fold leaves behind. The best a least-squares solve can do with the vertex closures, against the fold it is asked for. The Miura pattern closes at every angle, at the arithmetic's own floor — the line along the bottom is 10⁻¹⁵ and below. The same grid with its vertices moved by a tenth of a panel does not close at any angle at all: its residual starts at 5.9e-6 at the smallest fold and grows with it, and no seed and no number of iterations moves it. Both patterns have the same panels, the same creases, the same graph and the same developable vertices, and every one of those vertices folds perfectly well on its own.

Each one moves, and together they do not

Take the pattern a Miura sheet folds along and move every interior vertex by a tenth of a panel. Every vertex still folds on its own — each is a spherical four-bar with a freedom of its own — and the four of them together fold to no angle at all, with a residual that starts at six millionths and never falls.

networks · Network
Six sizes, one freedom, and a count going the other way. Creases and constraints both grow as the square of the sheet's side, and they grow at different rates: two per panel against three per interior vertex. So the counted column runs (n − 1)(3 − n) and is positive at two, nought at three and increasingly negative after that, while the measured mobility is one on every row. The redundant column is the difference and it is exactly (n − 2)² — one at three, four at four, nine at five, thirty-six at eight. A twelve-by-twelve sheet of a hundred and forty-four panels is counted at minus ninety-nine and has a hundred repeated constraints, and it is the same mechanism as the smallest one on this table.

The freedom that survives repetition

A Miura sheet has one freedom at four panels and one at a hundred and forty-four, and the count runs the other way: plus one, then nought, then minus three, minus fifteen, minus ninety-nine. The gap between them is exactly (n − 2) squared, which is a hundred repeated constraints on a sheet with one degree of freedom.

networks · Network
A vertex is a spherical linkage, and the sectors are its link lengths. The four creases of one folded vertex, drawn as directions from the vertex itself, with the great-circle arcs between consecutive ones. Those arcs are the sector angles of the flat pattern — 80°, 60°, 100°, 120° — and they are those angles at every fold, to 8.9e-16 radians. That is the whole of the claim in the title: four axes through a point at fixed arcs from each other is a spherical four-bar, the object this site's spatial field built two phases ago, and a crease pattern's vertex is one of them with the arcs printed on the paper. The dihedral angle of the sheet at each crease is a half turn less that crease's fold angle, which here run 68.8°, 14.4°, 68.8°, 14.4°. positioned by solving, not by drawing.

Every vertex is a spherical linkage

Four creases through a point at fixed arcs from one another is a spherical four-bar — the object the spatial field is built on — with its link lengths printed on the paper as sector angles. The arcs hold to four parts in ten thousand million million at every fold, and on a flat-foldable vertex the half-angle tangents keep a ratio constant to nine figures.

networks · Network
What the repeated constraints cost the drawing. Move an interior vertex of the flat pattern and the folded state generally stops existing. It survives if the change to the vertex closures can be absorbed by a change in the fold angles — and the part that cannot be absorbed is exactly the part that lies along a dependency, because a dependency is a direction in residual space the fold angles cannot reach. So the number of conditions a pattern's shape has to satisfy is at most the number of dependencies among its constraints, and on the Miura family it is exactly that: one at three by three, four at four, nine at five, measured by taking the rank of the obstruction. A twelve-by-twelve sheet has a hundred conditions on where its vertices may be. That is why a grid whose vertices are anywhere at all does not fold, and it is the same number, read the other way round, as the amount by which the count is wrong.

What a pattern has to satisfy

Move an interior vertex of a crease pattern and the folded state generally stops existing. How many conditions the drawing has to meet is not a matter of taste: it is exactly the number of dependencies among the constraints, measured at one, four and nine on three sizes of sheet, and a hundred on a sheet of a hundred and forty-four panels.

networks · Network

Named alongside it

The objects these essays reach for when they reach for this one.

NetworkMobilityRigid origamiRedundant constraintConstraint jacobianDevelopabilityGrübler's criterionRankSpherical linkageAssembly branchCircuit rankCodimension

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