Pair — the series
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A joint is a surface that slides on itself
Twenty-two fields of this collection have declared their joints and then counted what those joints take away. A count cannot tell a pin from a slide — both are one. What a joint actually permits is a set of displacements closed under composition, and it can be computed from the shape of the surface: one linear condition per point, and the answer is a null space.
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Six, and no others
Eleven surfaces were handed to the same computation and six groups came out. A cone, a torus and an ellipsoid of revolution give the same joint; a scalene ellipsoid gives none; and the list does not grow when more surfaces are added, because a surface's symmetry group has to leave a two-dimensional set alone and only six groups can.
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The count cannot tell a pin from a slide
A revolute, a prismatic and a helical pair all take five freedoms away in space and leave one. Grübler adds the same number for each, the constraint rank measures the same number for each, and the three joints have nothing whatever in common — one sends a point round a circle, one along a line, and one along a helix at a rate the joint decides.
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Twelve kinds of freedom
Every set of displacements that is closed under composition is one of twelve, up to where its axis points. Six of them are joints somebody sells. Four are motions a designer may perfectly well want and cannot buy at any price. And there is nothing at all of dimension five — checked here on twenty thousand random subspaces, every one of which generated the whole of the six.
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Almost nothing is a group
Eighty thousand subspaces of the twists were drawn at random and closed under the Lie bracket. Above one dimension, not one of them was already closed, and every single one generated the whole of the rigid displacements at the first bracket. Two pins with parallel axes close at three; move one axis a hair and they close at six.
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What a point sees
A group of displacements has no shape, so the only picture of one is what it does to something. Fix a point and the six lower pairs draw a line, a circle, a helix, a cylinder, a sphere and a plane — the six surfaces the pairs are made of. And two of the twelve sweep the same surface and are still different groups, which is the honest caption on the whole method.
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A chain multiplies
An open chain's displacements are the product of its joints' groups, one factor per joint, in order. Sometimes the product is a group — three parallel pins and a slide along them give Schoenflies motion, which is a SCARA arm and is why it has four joints. Usually it is not, and then the chain's poses are a four-parameter set that needs six numbers to describe.
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Four joints that give a group, and four that do not
Two chains of four joints. Same joint types, same count, same mobility, same Jacobian rank, same everything measured here across twenty-two fields. One of them reaches a four-dimensional set of displacements that closes under composition; the other reaches a four-dimensional set whose logarithms fill all six dimensions. The difference is six hundredths of a radian in where two axes point.
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Legs intersect
A serial chain multiplies its joints' groups and the product is almost never a group. A parallel machine's platform gets the intersection of what its legs permit — and an intersection of groups is a group, always, with no coincidence required. That is the only construction in this field that produces closure for free, and it is why a platform can be designed for a motion type instead of discovered to have one.
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Two planes meeting in a line
Sarrus's linkage draws an exact straight line out of six pin joints, and the spatial field proved it by solving the mechanism sixty times and measuring a departure of 9.8 × 10⁻¹⁶. Here the same fact comes out of two planes and a cross product, with no mechanism solved anywhere — and the two routes are not redundant, because only one of them can tell you the linkage as built delivers it.
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Compose two positions and see where you land
Take two configurations a mechanism actually reaches, compose the displacements that got it there, and ask what kind of thing the result is. A planar four-bar lands inside planar motion, to 4 × 10⁻¹⁶. Sarrus lands on its own line. Bennett's linkage lands three tenths of a radian outside the four dimensions its own displacements occupy — a one-freedom motion that generates all six.
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The instrument that is not a derivative
Sample a chain of four random pins over a millionth of a radian and its displacements occupy four dimensions, exactly as a SCARA arm's do. Sample the same chain over two radians and they occupy six. The step is at 10⁻⁶, and where it sits is a fact about arithmetic while the two plateaux are facts about the mechanism.
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A higher pair has no group
A disc resting on a straight edge may slide along it and may turn about its own centre. Both keep the contact exactly. Do one and then the other and the contact lifts off the edge by |t sin φ| — up to 1.2 radii over an ordinary range — so the two freedoms are real and the pair of them is not closed. The count is still right and there is nothing for it to be the dimension of.
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The block in the guide has a length
A prismatic pair is a point constrained to a line, and a point on a line of length G has a stroke of G. A block of length ℓ has a stroke of G − ℓ, because both its ends have to stay on the rails — so a guide is as long as the stroke plus the block, and a third of a short one is not stroke at all.
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A coupling that only translates
A coupling between two parallel, offset shafts turns its output at exactly the input's speed when, and only when, the relative motion of its two hubs contains no rotation — when it lies in the translation group. Oldham's two slides give that group by construction and so do two equal parallel cranks; a four-bar that is not a parallelogram gives the whole planar group and its output wanders by more than a radian. And Oldham's right angle is not what makes the ratio one: it is what makes the slides slide least.
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Constant velocity is a mirror
Between parallel shafts a coupling keeps its output in step exactly when its hubs only translate relative to each other, which is membership of a group. Between shafts that meet, no group will do: a single universal joint at 30° and a correctly phased double Cardan joint both close to the spherical group, and one wanders by 8.2° a turn while the other keeps step to 10⁻¹⁵. What separates them is a mirror that swaps the two hubs. It either fixes every configuration of the joint or fixes none, so one symmetric position certifies a whole turn — which is what the phasing mark on a propshaft checks.
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Two errors, one ellipse
A double Cardan joint keeps step only while a mirror fixes its motion, and any real one is a little off. Split each error by what the mirror does to it and only the half it reverses costs anything: a phasing error spreads the lag at sin a · tan a per degree, a difference between the working angles at tan a, and raising both angles together costs nothing at all. The two costs leave their marks an eighth of a turn apart, so they add as the sides of a right triangle — a root sum of squares that no assumption of independence was needed for.
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A Rzeppa cage adds its clearances
A Rzeppa joint keeps constant velocity because its cage holds every ball in the plane that bisects the two shafts. Give the cage's windows a clearance c and the output can lag or lead the input. Six balls might be expected to limit that lag through the worst of them, or as a root sum of squares. They do neither. Opposite balls are one constraint, the cage's two tilts spend two of the three, and what is left adds the three pairs' allowances like clearances in series: 0.350 c at a 20° bend, twice what the worst ball alone would allow. The lag falls to nought each time a ball crosses the plane of the bend, grows with the bend itself, and a four-ball joint cannot hold it at all.
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A floating cage frees three balls and not six
A Rzeppa cage that may slide along its own normal as well as tilt has a third freedom, and counting constraints against freedoms says a six-ball joint should then lose its hold on the lag altogether. It loses nothing: a slide moves both balls of an opposite pair the same way, so it spends one ball's clearance for every one it frees, and the six-ball lag stays at 0.350 c. A three-ball joint, whose balls have no opposites, loses its bound outright, because three ball centres always lie in some plane. Offset grooves then add a second limit, set by the worst ball alone, which takes over from the cage only past an offset of about 0.35 times the tracks' play over the windows'.
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A tight groove leans on one ball
A six-ball Rzeppa joint's free play is set by the tighter of its cage and its offset grooves, and the two limits look alike from outside. They are not alike once the play is taken up. With every contact made a spring of the same stiffness and the joint twisted past its free lag, a joint whose cage binds spreads the first load across four to six balls' worth and, a third of a window clearance on, gives every ball between 0.17 and 0.19 of it. A joint whose grooves bind puts the first load on one ball alone over most of a ball pitch, and two clearances on it still spreads it over fewer than six. At the same torque its hardest-pressed ball carries 1.5 to 3.0 times the caged joint's. Tightening the tracks to cut the play buys the play with uneven loading.
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A tight cage spreads the load until the tracks join in
A Rzeppa joint whose offset grooves set its play loads one ball first, and at equal torque its hardest-pressed ball carries up to three times a joint whose cage sets the play. Tighten the cage's windows below 0.559 of the track play and the cage becomes the limit at every input angle: the first load spreads over 3.6 balls' worth or more everywhere, the play falls, and at low torque the worst ball carries no more than a caged joint's. The cage does not stay in charge. Once the twist reaches the gap between the two limits the tracks engage, unevenly, and the worst ball climbs back towards the untightened joint's. A tighter cage widens the gap and pushes that torque up, so the windows' clearance is a choice about the torque at which even loading should end.