Parallelogram linkage — where it appears
Named by 7 essays across 2 fields — each of them below, with the objects they name alongside it.
A parallelogram carries an angle, and only so far
A direction computed at the frame is no use where it is needed. A parallelogram carries one from point to point — but only between two points a fixed distance apart, and that single proviso is what makes a compiled machine quadratic in the number of terms and turns most of it into transport.
The proof drew more than the curve
Sixteen ways to assemble one linkage. Eight of them close. Four put the tracing point on the curve and four put it somewhere else — at a closure residual of 9.6 × 10⁻¹⁵, which is the same floor the right ones reach. No tolerance on the closure could ever have told them apart.
A bar between two midpoints
In a parallelogram the midpoints of two opposite sides are exactly one side apart, and in the crossed assembly they are not. One bar between them admits the first and refuses the second — and it is one redundant equation per parallelogram, added on purpose, on a site whose constraint field is otherwise about overconstraint arriving by accident.
The lamp that stays where it is put
A desk lamp that stays wherever it is left is balanced, not held: its springs store exactly the energy its weight gives up, at every pose. For one arm that takes a spring with no free length, fixed above the pivot, whose energy has a cos θ term that cancels the weight's to 10⁻¹⁵. A spring with a free length L₀ leaves an unbalance of exactly L₀/s of the weight's torque, and a stiffness a fraction ε off leaves 2ε of its moment. For two arms it takes a parallelogram: without one, the upper spring sees the angle between the arms and the lamp's energy varies by twice the head's moment; with one, both springs sit at the base and the lamp is flat everywhere.
Two springs stand in for a parallelogram
A lamp's head tilts on the end of its arm, and its weight's moment is a cosine of the head's angle from the vertical, so a spring can balance it only if the spring sees that angle. A second parallelogram carries the vertical out to the wrist and one spring does it. So do two springs with one parallelogram, or six with none: each spring that reaches across a joint brings a term in the joint's angle, and another spring across that joint takes it away. A spring across the wrist alone balances the head at one arm angle and leaves sin(Δ/2) of its moment over a range Δ.
A spring that must push is hung in the wrong place
Balancing a lamp with a tilting head exactly, with springs of no free length, sometimes asks one spring for a negative stiffness, a spring that would have to push. It looked like a property of the lamp: a light upper arm under a heavy head might admit no design in which every spring pulls. It is a property of one attachment point. The upper arm's spring pulls exactly when the head spring meets the head beyond a point that is always short of the head's centre of mass, 77% of the way on this lamp, and at most 99% even with a head fifty times the arm's mass. Hang the head spring at its centre of mass and every spring pulls on every lamp.
The lamp needs three springs
A desk lamp with a tilting head, balanced exactly with springs of no free length, was built with four springs whose peak pulls add to 162 N. Searched over every attachment point inside the same outline, the least total is 63.4 N, and it is reached with three: the head spring hung at the threshold where the upper arm's spring stops being needed, 77% of the way to the head's centre of mass. Beyond the threshold a second spring is the first one split in two, and splitting a spring never makes it smaller. A design with no parallelogram and six springs is never close: 213 N at its best.
Named alongside it
The objects these essays reach for when they reach for this one.
Design ruleFour-barParallelogramApproximationAssembly branchMechanical advantageOverconstraintAntiparallelogramBranch defectCompiled linkageConstraint rankGrübler's criterion