Concept

Slider-crank — where it appears

A four-bar with one pin joint replaced by a slide, which is the mechanism in every reciprocating engine. Its piston motion is not harmonic, and the departure is a measurable function of the rod-to-crank ratio.

Named by 24 essays across 7 fields — each of them below, with the objects they name alongside it.

Slider-crank at 50°. Crank 1, connecting rod 3. The slider's travel is 2.0000 — exactly twice the crank throw, which is the one thing about this mechanism that does not depend on the rod length. Everything else does: the rod length decides how far the piston's motion departs from a sine wave, and that departure is the second harmonic every engine balancer has to deal with.

The slider-crank

Replace one pin of a four-bar with a slide and you get the mechanism in every reciprocating engine ever built. Its stroke is exactly twice the crank throw and does not depend on the connecting rod at all. Everything else about the motion depends on the rod, including the part that is always described as a sine wave and is not.

linkages · Fourbar
One chain, four mechanisms. The same four bars and the same four pins in every panel. What changes is which link is bolted to the bench, and that is not a property of the chain — it is a decision about where the bench is. The four mechanisms are crank rocker, double crank, crank rocker, double rocker: one input turns fully in some and rocks in others, and what each one is for is different. What cannot change is the shape of the closed loop, and the two diagonals measure that without reference to which link is held still: swept independently, all four visit the same locus of diagonal pairs to within 2.9e-3, half the sampling resolution. This is why the Whitworth quick-return and the oscillating-cylinder engine are not merely similar to a slider-crank; they are one.

One chain, four mechanisms

Which link of a four-bar is bolted to the bench is not a property of the chain. It is a decision about where the bench is, and making a different one gives a mechanism that looks and behaves completely differently while being, as a chain, the same object — which is why the Whitworth quick-return and the oscillating-cylinder engine are both a slider-crank.

linkages · Fourbar
The slider turns round at the dead centre. The slider's position against the crank angle, through the dead centre. The curve has a maximum there — that is what a dead centre is — so the slider retreats on both sides of it, and the latch works because a mechanism resting past the top of this curve has to be pushed back up it before anything can move. Set 4° past, the slider is 71 µm below the peak, and because the curve is quadratic there, doubling the setting quadruples the depth.

Locked on purpose

A toggle clamp, a landing-gear downlock and the catch on a folding table are all the same mechanism parked a few degrees past its dead centre, where the slider's motion is second order in the crank's. Seventy-one microns of slider travel undoes a latch set four degrees over — and setting it eight degrees over does not double that, it quadruples it.

applied · Fourbar
Four offset slider-cranks, one from each region the limit leaves. One slider-crank from each region of T₂ = b − a + e and T₃ = b − a − e, with the slide the dashed vertical line a distance e from the crank's pivot and the ground line dashed across. The thick arc round the pivot is where the crank's pin can go and the thick stretch of the slide is where the slider can: crank-rocker + +, crank 1, rod 3.5, offset 0.8, the crank reaching 100% of a turn and the slider between 2.37 and 4.43 on each side of it; double rocker − −, crank 3.5, rod 1.2, offset 0.6, the crank reaching 22% of a turn and the slider between 2.22 and 4.66 on each side of it; 0–π rocker + −, crank 2, rod 2.5, offset 1.6, the crank reaching 65% of a turn and the slider running from −4.21 to 4.21 through the ground line; π–π rocker − +, crank 2, rod 2.5, offset −1.6, the crank reaching 65% of a turn and the slider running from −4.21 to 4.21 through the ground line. These are the four of the eight four-bar kinds in which T₁ is positive.

Four kinds of slider-crank

An offset slider-crank is a four-bar whose output bar and ground have grown without bound, and in that limit the three signed sums that sort four-bars into eight kinds lose one of their signs. Four kinds survive. A census of four thousand finds every slider-crank moving as its region predicts, the textbook condition for a full crank turn turns out to be one region exactly, and each of the four kinds that vanish is carried, at a length that can be written down, into the survivor that shares its other two signs.

linkages · Fourbar
How many times each curve passes through the circular points. For each body of five machines, the degree of the curve a point on it draws, from a random complex line, and the number of finite points where that curve meets a line through the circular point I, x + iy = c, and one through J, x − iy = c. The difference is how many times the curve passes through that circular point. Four-bar, crank: degree 2, 1 and 1 finite, circularity 1; four-bar, coupler: degree 6, 3 and 3 finite, circularity 3; four-bar, rocker: degree 2, 1 and 1 finite, circularity 1; Watt six-bar, coupler: degree 6, 3 and 3 finite, circularity 3; Watt six-bar, second coupler: degree 6, 3 and 3 finite, circularity 3; Watt six-bar, output: degree 2, 1 and 1 finite, circularity 1; Stephenson six-bar, coupler: degree 6, 3 and 3 finite, circularity 3; Stephenson six-bar, arm: degree 18, 9 and 9 finite, circularity 9; Stephenson six-bar, output: degree 2, 1 and 1 finite, circularity 1; slider-crank, crank: degree 2, 1 and 1 finite, circularity 1; slider-crank, coupler: degree 4, 3 and 3 finite, circularity 1; elliptic trammel, rod: degree 2, 2 and 2 finite, circularity 0. Every body of the three machines built from pins alone has circularity exactly half its degree; the slider-crank's coupler curve and the trammel's ellipse do not.

Nine times through each circular point

A line through a circular point meets a curve at that point once for every time the curve passes through it, so counting its finite meetings measures how often, with no equation. The Stephenson six-bar's arm curve, degree eighteen, meets such lines in nine finite points: it passes nine times through each circular point. Every curve drawn by a body of a machine built from pins alone does this at exactly half its degree; a slide breaks it.

algebra · Algebra
What the valve does, against what the ratio promises. The solved valve lift, and the cam's lift multiplied by the nominal ratio. They are the same curve to the eye and they are not the same curve: the peak is 12.777 mm against a promised 12.842 mm, short by 0.51%. The shortfall is not an error in either number. It is what happens when a ratio measured at one position is applied across a movement, and it is why cam cards and rocker ratios are quoted together.

The cam is not the valve

A rocker arm's ratio is the ratio of two moment arms measured at one position, and the rocker swings twelve degrees while the valve opens. The instantaneous ratio runs 1.588 to 1.605, so the peak valve lift is 12.78 mm where the number on the box promises 12.84 — and the shortfall depends on how the rocker was set up, not on the cam.

applied · Cam
slider crank: the closest pair at one position. Crank 1, connecting rod 3, the block sliding on the frame's own line. Every joint is where the solver put it, exactly as in the linkage field; the material is the only thing added. The heavy segment joins the two closest points over every pair of parts that is tested — which excludes pairs sharing a pin, since their material surrounds that pin by construction — and its length is the gap: -0.1400 here, between rod · guide, upper. A negative value is a penetration depth, the distance the pair would have to be moved apart, and it is drawn in the warning colour.

The block in the guide has a length

A prismatic pair is a point constrained to a line, and a point on a line of length G has a stroke of G. A block of length ℓ has a stroke of G − ℓ, because both its ends have to stay on the rails — so a guide is as long as the stroke plus the block, and a third of a short one is not stroke at all.

pairs · Pair
The chain's whole configuration space, drawn on its two angles. A slider-crank asks one thing of its two angles: a cos θ + b cos φ = e, with θ the crank's angle and φ the rod's. Each panel is the square of those two angles from −π to π, with the curve that equation cuts out, followed by arclength on the equation alone. The number under each panel is how many whole turns θ, φ and φ − θ make around a circuit. A curve that crosses the square from side to side carries a turn in that angle; a closed loop inside the square carries none. The two regions where a member turns have two circuits each and the two where none does have one, which is what the four-bar regions these came from predict.

Three rotations, and four benches

The slider-crank chain's four inversions are four famous machines, and they are not four classifications. Four links make six pairs, one of those pairs cannot rotate at all because a slide is a rotation of nought, and the five that are left are three quantities between them. So an inversion chooses which two of the chain's three rotations sit at its bench, and the four regions of length space already say what all three do.

linkages · Fourbar
The body points whose three images are in a line. The three prescribed poses, faint, and a curve through them. At every point of a 110×110 grid over the moving body, the point is placed in all three poses and the signed height of its image triangle is measured; the curve is where that length is zero. Those are the points whose three images lie on a line, so the dyad they want is a slide rather than a crank. The curve is a circle. Refined onto the contour, its points lie on the circle through the three image poles to 2e-15, where the pole triangle's own circle misses them by up to 1.98. Its radius is 8.767, so inside a window three units across it reads as a gentle arc; 2 of the three image poles are in the frame and the third, P₁₃, is 6.8 units away.

Where a pin becomes a slide

Three-position synthesis gives every point of the moving body a fixed pivot, except the points whose three images fall in a line. Those want a slide, and they are not scattered: they lie on one circle, the circle through the three image poles, which a single line of algebra predicts and a contour of a measured length draws to 10⁻¹⁵.

synthesis · Synthesis
Six coupler points of one slider-crank: three at other distances from the crank pin, three exactly a rod away. A slider-crank with a crank of 1 and a rod of 3 on a slide through the crank's pivot, drawn at one position with the closed curves six points of its rod trace over both assemblies. A point is given as (u, v) in the rod's own units — u along the rod from the crank pin, v across it. On the left (0.4, 0.5), (−0.3, 0.2), (1.2, −0.6): their distances from the crank pin are 0.64, 0.36, 1.34 rods. On the right (0.6, 0.8), (0, 1), (−0.8, 0.6), each exactly one rod from the crank pin, as far as the slider pin is. All six are quartics, all six are bounded — no real branch runs off the page — and nothing in the drawing tells the two panels apart. The difference is at infinity.

Where a slide puts the rest of the degree

A slider-crank's connecting rod draws a quartic that passes once through each circular point, which leaves two of its four meetings with the line at infinity unaccounted for. They are not along the slide. A point u along the rod and v across it sends them to the complex slopes [2v ± i(1 − u² − v²)] / [(1 + u)² + v²], whatever the crank, rod or offset — confirmed by slicing and by the fitted equation — and they are real only for points exactly a rod's length from the crank pin, where they merge into one direction at half the point's angle.

algebra · Algebra
Four poses: four slider circles through one body point, and its four images on one line. Left, the moving body's own frame: for each of the four ways of choosing three of the four prescribed poses, the circle of body points whose three images are in a line. All four pass through one point, (1.006, 0.560), the slider point. The first two also share the body point that sits on the pole P₁₂, where two images coincide; the other two circles do not pass through it. Right, the fixed frame: the body in its four poses, and the slider point's four images, which lie on one line to 3e-16 of its length. A block on the body at that point, running in a straight guide along that line, carries the body through all four poses. There is no other.

The slide a fourth pose leaves

Three prescribed poses leave a whole circle of body points that want a slide. A fourth leaves exactly one, found where two of those circles meet a second time. It had been predicted as one or three, because a real cubic meets the line at infinity in one real point or three. But both of Burmester's cubics pass through the two circular points, so only one real point is left. Four hundred random four-pose problems each have one slide and one slot pin, both found with compasses.

synthesis · Synthesis
Watt chain with 1 slide: 3 chains, 11 mechanisms. The same 6 links and 7 joints with 1 of the joints made a slide instead of a pin, drawn as a block astride the line. There are 7 ways to choose the joint, and the chain's 4 symmetries fold them into 3 that are genuinely different: with the slide at 0–3, 2 mechanisms; with the slide at 0–1, 6 mechanisms; with the slide at 1–2, 3 mechanisms. The mechanism count is the number of orbits of a held link and the slide set together, so a slide breaks symmetry the pin-only chain had, and links that gave one machine between them give two. The pin-only chain gave 2; one slide gives 11.

A slide turns nothing

Make one joint of a chain a slide instead of a pin and the graph has a second decision in it before any length exists. The symmetries that counted mechanisms count these too — Watt's chain with one slide is three chains and eleven machines — and two facts read off the graph say which placements still work: a loop of slides alone is freer than the count, and a pin in a group of links the slides hold at one orientation cannot turn. Across 102 placements on the three smallest chains, both agree with the rank of the constraint Jacobian.

topology · Topology
Four points of one connecting rod: two crossings, none, two isolated points, two crossings again. The closed curves drawn over both assemblies by four points of the connecting rod of a slider-crank with a crank of 1 and a rod of 3 on a slide through the crank's pivot, which is marked in each panel. Each curve is a quartic and owes two double points. (0.12, 0.15), 0.19 rods from the crank pin: two crossings, at (±0.65, ±0.36), ringed; (0.4, 0.5), 0.64 rods from the crank pin: a complex pair, so the curve crosses itself nowhere; (0.75, 0.94), 1.20 rods from the crank pin: two isolated points at (±4.06, ±3.00), dotted, off the drawn curve; (1.1, 1.0), 1.49 rods from the crank pin: two crossings, at (±2.66, ±2.95), ringed. Each panel has its own scale. The second curve has no visible double point at all, and the third has two that no configuration of the machine ever reaches.

The double points that leave for infinity

A slider-crank's connecting rod draws a quartic that owes two double points. Close to the crank pin they are two real crossings. Between a crank's length and a rod's length from it they are a complex pair and the curve crosses itself nowhere. At exactly one rod both run off to the same real point at infinity and meet there as a tacnode whose branches are complex. Past that they come back real. Offsetting the slide changes the two circles by (R² − a²)(R² − b²) + e²R² = 0 and sends only one of the pair to infinity.

algebra · Algebra
The one real double point a four-bar owes is the one that leaves when its rocker becomes a slide. Left: a four-bar with a crank of 1 pivoted at the origin, a coupler of 3 and a rocker of 5 pivoted at (3, −5), so that the rocker's circle touches the line y = 0 where a slider-crank's slide would run. The coupler point is (0.4, 0.5) in the coupler's own units, and the curve it draws over both assemblies is shown with the circle through the three cognate pivots, on which all three finite double points lie. Two of them are a complex pair near the crank; the third, the only real one, is an isolated point at (0.92, −5.32) that no configuration reaches. Right: the same picture divided by the rocker length for rockers of 4, 10, 20, 50, 200, 100,000, with the drawn rocker's point ringed. The machine shrinks to the origin, the pivot circle settles onto a fixed circle, and the isolated point settles onto one point of it, (−0.484, −0.580), marked with a cross: the value d(|w|² − 1)/(w̄ − 1) for w = 0.4 + 0.5i and d the direction from the slide to the rocker's pivot.

The double point a slide cannot keep

A four-bar's coupler curve owes three finite double points and a slider-crank's owes two, so a four-bar whose rocker grows into a slide has to lose one. Parity decides which: the one that leaves is always real, and always an isolated point no configuration reaches. It runs off along d(|w|² − 1)/(w̄ − 1) times the rocker's length, a law that knows nothing of the crank, the rod, the offset or where the rocker touches the slide. On the circle one coupler length from the crank pin the law is zero, and all three double points leave together like the cube root of the rocker.

algebra · Algebra
The compromise slide needs its block on alternate walls; a working load chooses otherwise. The five prescribed poses of a body about two units long, driven by the one crank of Burmester's four that turns through them in order — centred at (1.531, -0.730), radius 1.492, turning 149° — and guided by the compromise slide, whose block has play 0.0140 either side of the guide's centre line; the two walls are drawn ten times further apart than they are. At pose 3 the compromise needs its block on the + wall (hollow ring). A working load along the guide, opposing the block's motion, presses it onto the − wall (filled). The walls needed at the five poses are + − + − +; the walls that load presses are + − − − −, and the body's own weight presses + − − + +.

The load picks the wall

The best slide for five poses misses each by 0.0140, on alternate sides, so a block with that much play either side reaches all five — if it bears on the right wall at each. Nothing in a slot says which wall. The load does: the block presses whichever wall the load's moment about the crank pin sends it to, and changes walls only where that moment changes sign. Four changes are needed. The body's own weight gives two, in the wrong places, and play then makes the slide worse; a working load gives one, and needs nineteen times the play.

synthesis · Synthesis
A slider-crank whose crank becomes a slide loses both its double points. Left: a slider-crank with a crank of 5 pivoted a crank's length before the point where its crank pin crosses the slide, a rod of 3 and the slide along y = 0, drawn with the slides' eventual crossing at the origin. The rod point (0.3, 0.2) in the rod's own units draws the curve shown, and its two double points are the dots: isolated points, at (−7.90, 2.47) and (−2.10, −2.47). Right: the same double points divided by the crank, with the crank's pivot at the origin and the crossing at (1, 0), for cranks of 5, 10, 30, 100, 300, 1000. The pair settles symmetrically onto the crosses at ±(0.595, −0.505) — the law ± i(|w| − e^(i·arg w))/√(1 − |w|²) for w = 0.3 + 0.2i — and leaves in proportion to the crank.

The trammel takes both double points

Grow a slider-crank's crank without bound and its crank pin's circle flattens into a second slide: the machine becomes the elliptic trammel, whose curves are conics with no double points at all. Both of the slider-crank's double points have to go, and parity cannot say how. They go together, symmetric through the crank's pivot, at ±i(|w| − e^(i·arg w))/√(1 − |w|²) crank lengths — a law that knows nothing of the rod or the slide's offset. Inside the one-rod circle they are two real isolated points, outside it a complex pair. And on the circle with the rod as its diameter, where the trammel draws straight lines, one of them does not leave at all: it settles on the crossing of the two slides.

algebra · Algebra
A spring hung below the body puts the block on alternate walls. The five prescribed poses, the crank that drives them and the compromise slide, with one spring of no free length from a fixed point on the frame at (3.41, 1.16) to a point (-0.60, -1.20) of the body's frame, 0.92 below its lower edge on an arm, stiffness 2.51 per unit length against a unit working load along the guide. The spring's pull is at most 11.7 times the load. With it the block bears on the walls + − + − + at the five poses, exactly the compromise's, and crosses its slot 4 times on the way. At pose 2 the spring pulls with 10.1 and the block needs, and gets, the − wall.

A spring balanced against the load

The best slide for five poses reaches all five with play in its slot only if its block bears on alternate walls, and neither the body's weight nor a working load puts it there. A spring can, and whether one does is a linear program. No point of the body can carry it: for every such point there are weights on the poses under which any spring's pull cancels. A point on an arm below the body can, and a spring from it pulling at most 11.7 times the load gives + − + − + exactly. The spring alone presses one wall throughout; it works by balancing the load, and only for loads within nine per cent of the one it was chosen for.

synthesis · Synthesis
A slider-crank and its one cognate draw one curve, and each carries the crank's rotation on a different member. Left: a slider-crank with a crank of 1, a rod of 3, its slide 0.5 from the crank's pivot, and the tracing point (0.4, 0.5) in the rod's own units; both of its circuits are drawn. Right: the only cognate that survives when a four-bar's rocker becomes a slide, a slider-crank with a crank of 1.921, a rod of 0.640 and an offset of 0.320, its slide turned by 51.3°. Both are drawn holding the same point. Members are coloured by rotation: 1 is the original's crank and the cognate's rod, 2 the original's rod and the cognate's crank, and 3, the slide, cannot turn in either. Under each name are that machine's closed-form area terms for the circuit through the held point, each computed from its own traced circuit read anticlockwise: the original's crank carries 1.885 and the cognate carries 1.885 on its rod; the other terms are nought, because neither machine's rotation 2 goes round.

A slide exchanges the crank and the rod

Roberts's construction gives a four-bar two cognates. Grow the rocker into a slide and one of them leaves with it; the other becomes a slider-crank whose crank is the original's rod and whose rod is the original's crank, the whole machine turned and scaled by the tracing point. So a slide keeps two of the figure's three rotations and freezes the third, the closed forms of the area move between crank and rod, and every slider-crank whose crank turns has a cognate whose crank cannot.

curves · Coupler
How evenly the ram is driven through the working stroke. The ram's speed through the working stroke of an offset slider-crank with a time ratio of 1.2 of its own, crank 1, rod 2.719, offset 0.847, divided by its mean over the stroke, against the fraction of the stroke's duration. The number after each name is the ratio of the fastest to the slowest ram speed while the ram covers the central 80% of its stroke. Driven directly at constant speed the slide gives 2.02. The drag link that gives the highest time ratio, 2.71, gives 2.60. The most even design that still reaches 2, a drag link of 4.75, 4, 2.25 on a ground of 1, gives 1.19 at a ratio of 2.03 — the same pattern the shaper's rocker showed, measured on a ram. Dragging moves that design's phase.

The first stage does not know what it drives

A drag link that evens a shaper's rocker evens a ram driven by an offset slider-crank just as well — within 3.8% of the best that ram can have — once it is turned by the angle between the two machines' stroke starts, to within a degree. The two outputs cover their working strokes alike to 1.5% when they share an own time ratio, so what the first stage has to know about the second is that ratio and where its stroke begins. The exception is a centred slide with a short rod, whose skewed stroke moves the best phase by 12° more than the rule says and makes the train more even than any rocker's.

linkages · Fourbar
One ellipse, drawn at once by four double sliders on four different pairs of slides. The ellipse traced by a double slider with slides at 70°, a rod of 2 and a tracing point off the rod at λ = 0.3 + 0.35i: semi-axes 1.587 and 0.542. Drawn over it at one instant, four more double sliders holding the same point, each on its own pair of slides through the ellipse's centre, with rods of 1.73, 2.08, 0.93, 1.03 and slides at 54°, 77°, 63°, 80°. The two in the first colour are from the original's own rolling circle and turn with it; the two in the second are from the other and turn against it. Any two points of either circle would do as well.

A second slide keeps only the rod

A slide turned a four-bar's rocker into a line and left one cognate, the slider-crank with its crank and rod exchanged. Turn the crank into a slide as well and the exchange stops producing a machine, since λ times a sliding pin's position is a vector that shrinks to nothing twice a turn. The cognates do not vanish; they multiply. Every double slider's ellipse is drawn by any two points of either of two rolling circles — a two-parameter family on each — and the one rotation left, the rod's, is carried by every one of them, with the original on one circle and against it on the other.

curves · Coupler
Shortening a centred slide's rod evens the dragged ram until the rod is about two cranks long, and then it stops helping. A centred slider-crank with crank 1 and its rod swept from 20 cranks down to 1.305, where its worst transmission angle reaches 40°, plotted against crank ÷ rod. For each rod, the ratio of the ram's fastest to slowest speed across the central 80% of its working stroke: driven directly, which worsens from 1.701 to 2.752; and with the most even of 821 drag links, at whichever phase angle between the stages suits it, that still gives a combined time ratio of 2, which improves from 1.435 to 1.246 at a rod of 2.0 (worst angle 60°) and then worsens again to 1.401 at the 40° limit. Dashed: the best design found on any offset slide, 1.181, at an offset of 0.6 and a worst angle of 65°.

A centred slide has a best rod, and an offset beats it

Behind a drag link that brings a shaper's ram to a time ratio of 2, a centred slide's rod is a knob with a best setting. Shorten it from twenty cranks and the most even cut improves from 1.435 to 1.246 at a rod of two cranks, then worsens to 1.401 before the transmission angle reaches 40°, because the rod's skew moves the ram's speed peak where a drag link can phase against it only until the peak stops moving and just grows. An offset beats it: at every worst transmission angle up to 65° some offset slide is more even than any centred one, the best at 1.181, and on the most offset slide the rod hardly matters.

linkages · Fourbar
A centred slide's time ratio is its drag link's split of half a turn. The output angle of a drag link against its input angle over one turn: ground 1, input crank 4.019, coupler 3.920, output crank 1.339, the double crank that splits half a turn of its output most unevenly while keeping a worst transmission angle of 40.0°. A centred slider-crank driven by its output reaches its two dead centres at output angles exactly half a turn apart, whatever its rod, so its forward and return strokes take the input angles between the two dotted levels and outside them. At a phase of 66.3° between the stages they are 104.5° and 255.5° of input, a time ratio of 2.443. The largest over every phase angle is 2.443, against 2.304 for the best link of the quarter-step grid: no rod can raise it.

A centred ram cannot be timed past its drag link

A shaper's drag link and slider-crank were held to a combined time ratio of 2, and the centred slide's rod turned out to have a best length. Asking for a quicker return was supposed to shorten that rod and narrow the offset slide's lead. The first happens; the second runs the other way. A centred slide's dead centres are half a turn of its crank apart whatever its rod, so its ratio is the drag link's split of half a turn and nothing else: 2.304 on the grid, 2.443 off it, and no rod moves it. Below that ceiling the centred slide's best cut worsens from 1.118 to 1.466 and the offset slide's lead grows from 1% to 28%. Above it only an offset slide with a short rod reaches, and no slide keeping 45° reaches 3.

linkages · Fourbar
A ratio of 3 costs both stages forty degrees. The largest quick-return ratio of a shaper's drive against the worst transmission angle it must keep, from 30° to 60°: an offset slider-crank alone, 1.448, 1.360, 1.286, 1.224, 1.172, 1.128, 1.092; a drag link alone ahead of a centred slide, 2.867, 2.632, 2.443, 2.284, 2.130, 1.968, 1.809; and the two in series, both stages keeping the angle, 3.975, 3.427, 3.006, 2.696, 2.432, 2.184, 1.957, against the product of the separate ceilings, 4.153, 3.580, 3.143, 2.796, 2.496, 2.221, 1.976. The train reaches 3 at 40.0°. Marked: 40°, where the train reaches 3.006.

A ratio of three costs forty degrees

A shaper's two-stage drive, a drag link ahead of a slider-crank, could not be given a return three times as quick as its cut while its drag link kept 40° and its slide 45°. Drawn as a frontier, the largest ratio against the worst transmission angle both stages keep, a ratio of 3 costs 40.0° in both. The two stages in series reach 95.7% to 99.0% of the product of their separate ceilings at every angle from 30° to 60°, so two stages relax one stage's bound very nearly by a product. Shared unequally, every degree the drag link gives up buys the slide between one and a half and three: the drag link is the stage to let lean. And the trains on the frontier cut badly, the ram's fastest speed in the middle of its cut 3.2 times its slowest at a ratio of 3. On the way, the drag link's own ceiling at 40° turns out to be 2.443, not the 2.365 a single search had found.

linkages · Fourbar
Five degrees below forty buy back an even cut at a ratio of three. At each worst transmission angle kept by both stages of a drag link ahead of an offset slide: the evenness of the cut, the ram's fastest speed over its slowest across the middle four fifths of the working stroke, for the train with the largest time ratio at that angle (dashed), which reaches 3.98, 3.75, 3.52, 3.43, 3.33, 3.24, 3.16, 3.08, 3.01 and cuts at 6.11, 5.21, 4.70, 4.35, 4.14, 3.90, 3.65, 3.46, 3.25; and for the most even train that still reaches a ratio of 3 (solid): 1.22, 1.26, 1.32, 1.42, 1.64, 1.90, 2.53, 2.73, 2.97, at 30, 32, 34, 35, 36, 37, 38, 39, 40°. The shaded band is 1.12 to 1.47, the best ratio-2 trains of the earlier essays.

Five degrees buy an even cut at a ratio of three

A shaper's two-stage drive reaches a quick return of 3 only by keeping no more than 40° of transmission angle in both stages, and the one train that does cuts unevenly, its ram 3.25 times faster at one point of the cut than at another. Searched for the most even cut that still returns three times as fast, the trains at 40° do little better, 2.97. But the price falls steeply below it: 1.90 at 37°, 1.42 at 35°, 1.22 at 30°. By 35° a ratio-3 shaper cuts as evenly as the best ratio-2 trains did. The even trains leave the long, nearly folded drag links that buy the most ratio for compact ones, and not one of them takes a longer rod than its angle requires.

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Named alongside it

The objects these essays reach for when they reach for this one.

Quick returnPrismaticTransmission angleCircular pointsDesign ruleDouble pointGrashof's conditionSolutions at infinityTime ratioPrecision positionSynthesisVelocity ratio

All concepts